Put 'em all on an island
Connecting the electrodes of queer wisdom to the nipples of bigotry and ignorance.
April 20, 2013
Mighty River Power share sale
Our conservative Government here in New Zealand is making good on its promise to sell revenue-generating companies it owns to try and plug its own created budget deficit caused by a tax cut on the higher incomes. Those will now be able to buy a cash cow for a song. With the help of the Government. And everybody else will just have to pay more for power to ensure a dividend flow.
An insane economic policy but a tribute to dead ideologies.
April 15, 2013
Waiheke Island election candidate selection
March 26, 2013
If...
Feature films set in English public schools are strangely timeless: their look, their feel, their atmosphere (and if they were in Odo-rama, their smell) are all very similar and, of course not forgetting the hazing, caning, abuse, humiliation, hierarchy, class structure and repression of all sexual orientations - all aimed at transmitting social strictures and structures to the next generation.
Lindsay Anderson's "If... " doesn't depart from that template but the difference is that all those strictures are the film's main subject rather than its background to another story (as in, for instance "Another Country"). Malcolm McDowell's character resistance is existential rather than political and there was something marvellously 1960s about the movie, with its trippy escape into town ("out of bounds!"), street theatre and a joyride on a stolen motorbike, the hook up with the cafeteria girl and the dreams of free love.
The ending is a little disappointing due to the cop-out into violence - the Sixties' hedonist culture did at the time reverberate through even the stodgiest of social institutions, for a while at least.
The film switches back and forth between colour and black & white film stock, which gives it an alienating and interesting feel. (Prosaically, this was due to budget restrictions forcing some scenes to be filmed in black and white for technical reasons).
Marvellous sound track with Sanctus from Missa Luba:
Lindsay Anderson's "If... " doesn't depart from that template but the difference is that all those strictures are the film's main subject rather than its background to another story (as in, for instance "Another Country"). Malcolm McDowell's character resistance is existential rather than political and there was something marvellously 1960s about the movie, with its trippy escape into town ("out of bounds!"), street theatre and a joyride on a stolen motorbike, the hook up with the cafeteria girl and the dreams of free love.
The ending is a little disappointing due to the cop-out into violence - the Sixties' hedonist culture did at the time reverberate through even the stodgiest of social institutions, for a while at least.
The film switches back and forth between colour and black & white film stock, which gives it an alienating and interesting feel. (Prosaically, this was due to budget restrictions forcing some scenes to be filmed in black and white for technical reasons).
Marvellous sound track with Sanctus from Missa Luba:
February 23, 2013
Bonding in the news
The Australian Olympic swimming team was
paraded on international TV (and in the newspaper) to confess about the "bonding" they
did prior to the competition. It consisted of going to a movie, having
dinner together, spinning swimming yarns while having a few beers, talking a sleeping pill and be in bed by 10.30pm.
I reckon they were in dire need of a director of bonding (me) instead of public humiliation, to make sure future sessions involved speedos, condoms, shaving gear and a couple of tubes of Veet to sort the men from the boys.
And if they had won a shitload of medals, nobody would have batted an eyelid.
I reckon they were in dire need of a director of bonding (me) instead of public humiliation, to make sure future sessions involved speedos, condoms, shaving gear and a couple of tubes of Veet to sort the men from the boys.
And if they had won a shitload of medals, nobody would have batted an eyelid.
February 14, 2013
Project SoHO
Another Untergang parody. They are such fun to make!
January 27, 2013
Headland 2013
The Headland Sculpture on the Gulf exhibition is a biennual event in which the artwork has a huge
task competing with the scenery, and most times nature wins out. This
year's effort was especially weak in content. I had trouble discerning
any art amongst the trees and grass. There were plenty of pieces tacked
on to trees and plonked next to the walkways. I imagine many an artist
just went round the coastal walk trying to work out what they could do
in a particular spot and most of the resulting works look rushed and
improvised.
Nothing moved me despite the number of mobiles (or things
just flapping in the wind). Hanging a few red fabric balls in a
pohutukawa tree does not an artwork make.
It was especially hard on children for many pieces had a playground feel to them (strings, swings, playhouses) but a confusing "do not touch" policy for some of them, but not others, caused confusion, tantrums, and tears.
It was especially hard on children for many pieces had a playground feel to them (strings, swings, playhouses) but a confusing "do not touch" policy for some of them, but not others, caused confusion, tantrums, and tears.
I hope the local board
doesn't buy any of the entries because none of them are worth preserving
much for posterity. I dread they'll inflict another tumbling down
corrugated iron piece on us, and yes, seeing that there was one made my
heart sink.
My award would go to "Not For Sale", the only piece that
actually made you think what it meant.
Subscribe to:
Posts (Atom)
